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A woman with long, wavy auburn hair is shown in a close-up portrait, wearing a chunky knit beige cardigan, a patterned top, and multiple silver rings. She is resting her chin on her hand in an indoor setting.
A woman with long, wavy auburn hair is shown in a close-up portrait, wearing a chunky knit beige cardigan, a patterned top, and multiple silver rings. She is resting her chin on her hand in an indoor setting.

An interview with

AMI RAITHE

We summoned (okay... invited) our favourite autumn-loving illustrator, Ami Raithe, for a cosy catch-up about moths, folklore, hidden details and the wonderfully witchy world behind her pieces in Nature of a Witch. Grab a cuppa and keep reading...

For anyone discovering your work for the first time, how would you describe what you do and the world you create?

I think I’d describe it as a little world to get lost in. I’ve had a lifelong fascination with nature, insects, gothic architecture, folklore, books, history, witchcraft and the magic of autumn, so my illustrations are a reflection of those things and how they inspire me.

When people come across my work for the first time I want them to feel like they’ve stumbled upon a cozy shop inside a crumbling cathedral in the middle of the woods, where they’ll find a secret library, candlelit hallways, an apothecary full of plants and tinctures, a room full of entomology specimens and another full of old notebooks and manuscripts and classic novels.

I like to create something that people can see themselves in, that they can get lost in or that makes them smile and feel seen, that’s the biggest achievement for me as an artist and creator.

Which do you prefer? Forest walk or antique bookshop?

I have to say antique bookshop, although I do love a forest walk too. I just find I’m always drawn to books and the comfort a bookstore gives me, it’s where I spend most of my free time.

What do you want someone to feel the first time they put on one of the pieces from the collection?

Most importantly I would love for them to feel seen, like they’re wearing something that they identify with or that feels very ‘them’. I also hope that the pieces I designed for this collection make someone feel confident and comfortable. 

For me, living with endometriosis has made me crave comfy clothes with elastic waist bands or non restrictive fabric, but I also still wanted to be able to wear pieces that were stylish and eye catching. When designing the pieces for Nature of a Witch, I aimed for styles that can be worn all day while still making a fashion statement. The stretchy mesh fabric in the top, the soft, floaty dresses and the elastic waisted shorts are all non restrictive & super comfortable to wear, so I hope people feel that when they wear any of my pieces from this collection.

Moths keep showing up in your work in a big way. What is it about them that you keep coming back to? 

I just love them! I’m completely besotted and fascinated by moths and everything about this little elusive creature inspires me to create artwork with them in it. I just raised 29 moths at the beginning of the year from eggs found on my driveway so I was able to study their full life cycle through to adult moths, watch them have more eggs and then those eggs hatch into more caterpillars! It was one of the most fulfilling and interesting things I’ve ever done and it helped me to understand and appreciate them even more as a species. They show up a lot in my work because they’re beautiful, fragile, symbolic and largely misunderstood. I hope that by creating artwork featuring moths more people might see how wonderful they are and learn to appreciate and love them as well.

Witches Brew is such a rich, detailed world, every element feels like it means something. What went into building that print?

That print is actually one of the first pieces of art I created when I opened Ghosts of October! It’s a bit of an ode to women and witches throughout history who found magic in the natural world. All of the elements in the print were inspired by personal witchcraft tools & curiosities I had around my home. 

When I created it, I was thinking about how lucky I am to live in a time where it’s safe for me to have them & I would not be persecuted for ownership of these items. So it’s very much a subtle nod to witch history and the accusations made upon women with these types of things in their homes who were just healers or herbalists.

I wanted to show how these natural tools are now so openly acceptable in the modern world, but to be found with them in times of witch hysteria could be costly. The revised edition for BM also includes some nods to familiars found in historical witchcraft illustrations and some newer elements I’ve worked into my craft since I originally created the piece, like insects I’ve collected .

Where do you find inspiration most often? Nature, folklore, something else entirely?

Oh everywhere! Nature, literature, historical buildings and architecture, insects and animals, a used bookstore, a walk in the woods, my favourite films, things I find beautiful or unique, art history and museums, life experiences and passions. I find everything inspiring so I love to expand my knowledge, explore new places, talk to new people and find beautiful things in the world that I’m drawn to and want to share with others. 

Is there a hidden detail or reference in the collection you hope people notice when they look closely?

Yes there is! I usually always pop something in there. The collection of insects in The Swarm print include my favourite beetle, The May Bug and I snuck a little dragon into Witches Brew because I’ve been really immersed in dragon lore and their connection to magic!

What is one thing you’re trying very hard not to start collecting?

Currently, dragon and dinosaur decor and also moth stamps. I may already have about 100 of those…

Is there a piece in this collection that feels especially personal to you, or one you're most excited for people to get their hands on?

Yes absolutely! For me, it’s the bug mesh top. This was a piece I had wanted to design for several years and it includes some of my favourite moths and beetles. I’m such a big fan of a unique layering piece and this mesh top is something that I have yearned for in my wardrobe for a very long time. It has been a dream come true to create this piece in collaboration with BlackMilk.

I’d also say The Swarm dress is a bit of a love letter to my community which is made up of lots of alternative, gothic and spooky ghouls! When I was designing that piece I was looking to create something I’d always wanted to buy myself, but had never seen! The idea was to design a dark, floaty dress with a romantic renaissance inspired cut that was unique and a bit gothic. Something that could be worn casually day to day or to something like a Renaissance fair or fantasy ball with a corset and a skirt hike. I love the juxtaposition of dark creepy bugs on a floaty feminine dress and I creating pieces that have the ability to be versatile. I think that’s something a lot of other people would love to wear too! 

If you could only wear one piece from the collection for the next year, what would it be?

I’m pretty sure I will be living in The Swarm top for the foreseeable future so I’d definitely say that one!! 

What's next for you?

In the coming months I’ll be launching my hand illustrated insect belt buckle designs which are perfect for styling with The Swarm pieces! I’m also doing some more shop updates with some really exciting new products before the end of the year, and working with BM on some more super cool (and spooky) designs!

Ami Raithe

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